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KünstlerSongs
Deutsch
Deutsch

Never Gonna Stop (The Red, Red Kroovy)

Rob Zombie

The Sinister Urge

Veröffentlichungsdatum: Mon Jan 01 2001

Dauer: 03:12

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Transkribiere mitKlangio Transcription Studio
Details
GenreELECTRONIC, ROCK, ALTERNATIVE
Tempo125 BPM
TonartC
Lautheit-20 dB
Taktart4/4
AkkordeG, F, C, A♯
Eigenschaften
techno
29%
rock
22%
electronic
21%
beat
14%
pop
14%
fast
13%
Energy
86%
Valence
64%
Danceable
61%
Live
50%
Instrumental
0%
Acoustic
0%
Aufbau

Wiederhole markierten Abschnitt

Verlauf
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Akkorde
    C
    F
    C
    G
    C
    G
    C
    F
    G
    A#
    G
    A#
    G
    A#
    G
    C
    F
    C
    F
    C
    F
    C
    G
    A#
    G
    A#
    G
    A#
    G
    A#
    G
    A#
    F
    G
    A#
    F
    G
    F
    G
    A#
    F
    G
    C
    G
    C
    G
    A#
    G
    A#
    G
    A#
    G
    A#
    F
    G
    A#
    F
    G
    F
    G
    A#
    F
    G
    FAQs

    Welche Akkorde kommen in Never Gonna Stop (The Red, Red Kroovy) vor?

    Die folgenden Akkorde kommen im Song Never Gonna Stop (The Red, Red Kroovy) vor: F, C, G, A♯.

    Was ist das Tempo von Rob Zombie - Never Gonna Stop (The Red, Red Kroovy)?

    Das Tempo des Songs Never Gonna Stop (The Red, Red Kroovy) ist 125 BPM.

    In welcher Tonart ist Never Gonna Stop (The Red, Red Kroovy) von Rob Zombie?

    Die Tonart von Never Gonna Stop (The Red, Red Kroovy) von Rob Zombie ist C.

    In welchem Jahr hat Rob Zombie den Song Never Gonna Stop (The Red, Red Kroovy) veröffentlicht?

    Der Song Never Gonna Stop (The Red, Red Kroovy) wurde im Jahr 2001 veröffentlicht.

    Was ist das Genre von Never Gonna Stop (The Red, Red Kroovy)?

    Der Song Never Gonna Stop (The Red, Red Kroovy) kann den Genres electronic, rock, alternative zugeordnet werden.

    Wie ist der musikalische Aufbau des Songs Never Gonna Stop (The Red, Red Kroovy) von Rob Zombie?

    Der Songs Never Gonna Stop (The Red, Red Kroovy) ist wie folgt aufgebaut: intro-intro-verse-chorus-inst-verse-chorus-chorus-bridge-verse-chorus-chorus-end.

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