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KünstlerSongs
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Boombastic

Shaggy

Boombastic

Veröffentlichungsdatum: Tue Jul 11 1995

Dauer: 03:55

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Transkribiere mitKlangio Transcription Studio
Details
GenreHIP-HOP, 90S, 80S
Tempo83 BPM
TonartE♭
Lautheit-28 dB
Taktart4/4
AkkordeD♯, G♯, A♯, Gm, A, D♯m
Eigenschaften
techno
37%
electronic
35%
beat
31%
drums
21%
slow
14%
synth
13%
Danceable
87%
Valence
78%
Energy
54%
Live
32%
Acoustic
24%
Instrumental
0%
Aufbau

Wiederhole markierten Abschnitt

Verlauf
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Akkorde
    Gm
    G#
    A#
    D#
    Gm
    D#
    A#
    D#
    A#
    D#
    Gm
    G#
    A#
    D#
    Gm
    G#
    A#
    D#
    G#
    D#
    G#
    A#
    D#
    G#
    D#
    G#
    B
    A#
    D#
    G#
    A#
    D#
    Gm
    G#
    A#
    E
    Gm
    A
    A#
    E
    Gm
    A#
    D#
    Gm
    G#
    A#
    D#
    G#
    A#
    D#
    G#
    D#
    G#
    D#
    A#
    E
    Gm
    A
    A#
    E
    Gm
    G#m
    A#
    D#
    Gm
    A
    A#
    D#
    Gm
    D#
    G#
    A#
    D#
    A#
    D#
    Gm
    C
    D#
    G#
    A#
    D#
    Gm
    G#
    A#
    D#
    Gm
    D#
    G#
    A#
    D#
    Gm
    G#
    A#
    D#
    Gm
    D#
    G#
    A#
    D#
    G#
    D#
    D#m
    G#m
    D#
    Gm
    D#
    A#
    D#
    Gm
    G#
    A#
    G#
    Gm
    G#
    FAQs

    Welche Akkorde kommen in Boombastic vor?

    Die folgenden Akkorde kommen im Song Boombastic vor: Gm, G♯, A♯, D♯, B, E, A, G♯m, C, D♯m.

    Was ist das Tempo von Shaggy - Boombastic?

    Das Tempo des Songs Boombastic ist 83 BPM.

    In welcher Tonart ist Boombastic von Shaggy?

    Die Tonart von Boombastic von Shaggy ist E♭.

    In welchem Jahr hat Shaggy den Song Boombastic veröffentlicht?

    Der Song Boombastic wurde im Jahr 1995 veröffentlicht.

    Was ist das Genre von Boombastic?

    Der Song Boombastic kann den Genres hip-hop, 90s, 80s zugeordnet werden.

    Wie ist der musikalische Aufbau des Songs Boombastic von Shaggy?

    Der Songs Boombastic ist wie folgt aufgebaut: intro-chorus-verse-verse-chorus-verse-chorus-chorus-verse-chorus-chorus-chorus.

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