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KünstlerSongs
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Kuori mua

Sini Sabotage

Kuori mua

Veröffentlichungsdatum: Wed Jan 17 2024

Dauer: 03:01

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Transkribiere mitKlangio Transcription Studio
Details
GenreDANCE, POP, ELECTRONIC
Tempo125 BPM
TonartB♭m
Lautheit-18 dB
Taktart4/4
AkkordeF♯, F, Fm, F♯m, C♯, G♯, A♯m
Eigenschaften
techno
60%
electronic
35%
fast
27%
dance
26%
beat
25%
female
21%
Energy
76%
Danceable
68%
Valence
57%
Live
11%
Instrumental
6%
Acoustic
2%
Aufbau

Wiederhole markierten Abschnitt

Verlauf
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Akkorde
    C
    Fm
    F#
    C#
    G#m
    F#
    C#
    F#
    C#
    F#
    F#m
    C#
    F#
    F
    C#
    Fm
    F#m
    Fm
    G#
    A#m
    F#m
    Fm
    F#m
    C
    F
    G#
    F#
    F
    F
    G#
    F#
    Fm
    F#
    Fm
    A#m
    F#
    A#m
    F#
    Fm
    F#
    F#m
    Fm
    F#
    G#m
    Fm
    F#
    Fm
    F#
    F#m
    F#
    Fm
    F#
    C#
    A#m
    F#
    F
    F#
    G#m
    F#
    F
    F#m
    F
    F#m
    F
    F#m
    G#
    Gm
    F#m
    F
    F#
    Fm
    F#
    G#
    F#
    C#
    C
    Fm
    A#
    C#
    C
    Fm
    F
    C
    F
    F#
    G#
    F#
    A#m
    F
    F#
    F
    F#
    G#
    F#
    Fm
    F#
    F
    F#
    Fm
    F#
    G#
    F#
    Fm
    F#
    F
    Fm
    F#
    G#
    FAQs

    Welche Akkorde kommen in Kuori mua vor?

    Die folgenden Akkorde kommen im Song Kuori mua vor: C, Fm, F♯, C♯, G♯m, F♯m, F, G♯, A♯m, Gm, A♯.

    Was ist das Tempo von Sini Sabotage - Kuori mua?

    Das Tempo des Songs Kuori mua ist 125 BPM.

    In welcher Tonart ist Kuori mua von Sini Sabotage?

    Die Tonart von Kuori mua von Sini Sabotage ist B♭m.

    In welchem Jahr hat Sini Sabotage den Song Kuori mua veröffentlicht?

    Der Song Kuori mua wurde im Jahr 2024 veröffentlicht.

    Was ist das Genre von Kuori mua?

    Der Song Kuori mua kann den Genres dance, pop, electronic zugeordnet werden.

    Wie ist der musikalische Aufbau des Songs Kuori mua von Sini Sabotage?

    Der Songs Kuori mua ist wie folgt aufgebaut: verse-verse-chorus-verse-verse-chorus-bridge-chorus-chorus-end.

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