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ArtistsSongs
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English

The Ecstasy Of Gold - 2004 Remaster

Ennio Morricone

The Good, The Bad And The Ugly [Original Motion Picture Soundtrack / (Remastered & Expanded)]

Release Date: Sun Jan 01 1967

Duration: 03:21

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Details
GenreINSTRUMENTAL, OLDIES, JAZZ
Tempo102 BPM
KeyAm
Loudness-18 dB
Meter4/4
ChordsAm, C, D, F, G, E, Em, A
Features
classical
38%
strings
33%
slow
27%
violin
25%
piano
22%
quiet
16%
Acoustic
83%
Instrumental
58%
Energy
47%
Live
20%
Danceable
13%
Valence
13%
Structure

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Chords Player
    Am
    C
    D
    F
    Am
    G
    C
    Am
    E
    Am
    C
    D
    Dm
    F
    Am
    G
    C
    E
    Am
    C
    D
    F
    C
    E
    Am
    D
    Am
    C
    D
    F
    A#
    C
    D
    F
    Am
    Bm
    D
    Am
    G
    Em
    G
    F
    Am
    Dm
    G
    Em
    Am
    C
    D
    F
    Am
    G
    C
    E
    Am
    C
    D
    F
    D
    F
    C
    E
    Am
    D
    Am
    C
    D
    F
    Am
    C
    D
    F
    Am
    A
    C
    Gm
    D
    F
    FAQs

    What chords are in The Ecstasy Of Gold - 2004 Remaster?

    Following chords are in the song The Ecstasy Of Gold - 2004 Remaster: Am, C, D, F, G, E, Dm, A♯, Bm, Em, A, Gm.

    What is the tempo of Ennio Morricone - The Ecstasy Of Gold - 2004 Remaster?

    Tempo of the song The Ecstasy Of Gold - 2004 Remaster is 102 BPM.

    Do you know in which key The Ecstasy Of Gold - 2004 Remaster by Ennio Morricone is?

    Key of The Ecstasy Of Gold - 2004 Remaster by Ennio Morricone is Am.

    In which year did Ennio Morricone release The Ecstasy Of Gold - 2004 Remaster?

    The song The Ecstasy Of Gold - 2004 Remaster was released in 1967.

    What is the genre of The Ecstasy Of Gold - 2004 Remaster?

    The genres of the song The Ecstasy Of Gold - 2004 Remaster are instrumental, oldies, jazz.

    What is the musical structure of The Ecstasy Of Gold - 2004 Remaster by Ennio Morricone?

    Musical structure of the song The Ecstasy Of Gold - 2004 Remaster is start-intro-intro-intro-intro-solo-break-solo-solo-solo-outro.

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